The Dance of Shiva’s Third Eye: A Lower Class Indian Woman Against the English Law of the Middle Classes in Damini(1993)

07.11.2016 (edited 14.05.2024)

Jai Maata Di! (Hail the Mother Goddess!)

Although it was appreciated in India and won a number of awards, the Hindi film Damini (1993) is largely and unfairly unappreciated in the West. It is one of my favourite films. What you see is an answer to the injustice of the middle classes that masquerades as legal truth. and how to base resistance against it. The resistance to the law is in the form of the image, idolatry and photography. The film is not obviously about vision and photography, although for those that see nothing and will try to stop others seeing, it is emphasised that photography is integral to the medium of film.

Damini is about English law, the remnant of British colonisation in India, and its relationship to vision, particularly the vision of a woman of the lower classes. Damini (‘the lightning’) is a lower-class girl that marries into a rich family and makes friends with the house-maid Urmi. Damini’s brother-in-law Ramesh (‘the ruler of Rama’) rapes Urmi, pinning her down below him with the help of his friends and Damini sees him doing so. Damini finally agrees to say what she saw in the court of law, but every attempt is made to exclude her lower class woman’s truth by the middle class which is fully in control of the western-derived legal apparatus, a truth in which the exploitation of the lower classes forms a continuum with the sexual violation of woman and her forced submission to masculine desire. Damini is indeed confined to the mental asylum because of her truth – the lawyer who goes up against her says that she is mad. Here, Damini is indeed driven insane.

Then, in one of the most powerful scenes in world cinema, Damini sees a procession of Durga Maa (‘the Invincible’, Devi Maa, the Mother Goddess, Mata Rani, The Mother Queen, Maa Shaktishaali, The Powerful Mother) in the streets accompanied by the common people through a window in the asylum and regains her memory. The look of the idolater upon the idol, the Mother and the multiple forms of Hinduism behind her, the last true religion of syncretism and one that is not organised around scripture (whatever its other faults), merges with an intense tandava, perhaps one of the most intense dance sequences on film. Damini (‘the lightning’) flashes and her energy is converted in Shiva’s dance, the dance of creation, preservation and dissolution. Shiva is Durga’s consort – her lover. Damini becomes the lightning because it illuminates the world in a flash – like photography and the writing of light.

The dance begins with the eyes and the eyebrows, as can be seen in the video. For it is the opening of Shiva’s third eye, the eye of power. It is a dance of vision. Damini’s bindi, the red mark on her forehead, represents the third eye. The story of Shiva’s third eye is traditionally associated with anger and the renunciation of desire, the renunciation of the desire for the middle class in the movie, it would appear, and the form of power that they represent. The dance is not a solo performance. It is directed at the enemies of the Indian lower class woman. The dance requires mastery of will and body, improvisation and the knowledge of classical forms. The dance is a fight which pre-empts the moves of its opponents, which enlarges and expands the body, which can suit the circumstances and adjust and adapt, which can bedazzle and confuse its opponents. The dance is a carefully constructed martial arts performance, like kata in karate. It is both exhibition and internal consciousness.

Shiva’s third eye is a vision bestowed from integration with the Mother Goddess. For Shiva, like Damini, is the one that loves the goddess – Shiva is Damini’s consort. The love of the Mother Queen and Damini’s bhakti returns her to herself and her vision and gives her the energy to fight for her truth, the truth and vision of woman and the lower classes. It allows her to fight against the legal system of the middle classes and flee the asylum. It gives her the force to say what she saw and destroy the forces of concealment and reorder the world.

The empowered Damini unites with a good lawyer who submitted himself to the desire of woman, his wife, in order to take up his occupation and she is triumphant. The good lawyer returns Damini to her alienated husband, he returns her to her love: he gives her back her desire. In one scene, the good lawyer calls himself a tiger: the tiger is the vehicle of the Mother Goddess, also known as Maa Sherawali, the Mother with or of the Tiger. The good lawyer’s wife, now dead, is only presented to us as photograph, the image. When one looks at the traditional images of Durga, the connection is clear. In an inversion of the picture of the rape that Damini saw, with woman pinned down by men, the Mother is above the tiger, it is her vehicle which she directs (the tiger itself is the national animal of India and Mother India). Above the law, there is the Mother and the law itself must only be the Mother. Thus, the quote by Mahatma Gandhi at the beginning of the movie which is said to have inspired it: “There is a higher court than courts of justice and that is the court of conscience. It supercedes all other courts”.

Damini’s justice is self-serving. It has an identity which it declares and serves, the identity of an Indian lower class woman. It is meant to protect a lower class woman that is her friend. Damini’s justice is based in emotion and empathy. She feels the hurt of another. Damini’s justice invokes a different form of power to the middle class men in power, a power that is feminised and derives its source from the mother and the sphere of the maternal. Damini’s justice is resistance: to serve not those in power, but those that are disenfranchised from power. In India, rapes are concealed by men so that the honour of their household is maintained. Thus, the powerful can prey on the weak. Damini’s justice exposes the act of making the less powerful submit to the powerful via gender in Indian society and calls for the public to claw back their honour. It is a film where justice operates in the honour economy and not the property economy of the West, where the white middle classes not only control the legal apparatus, but are also favoured by it as clients because they have more money.

The Birds; The movie ‘Indian’; Longing and Desire

09.05.2024

Ships. Homes. Cats, flowers. Doors. Birds. So many symbols there are for women. With the birds, I think of Leonardo Da Vinci and the dream of freedom.

Every symbol of woman, every assignation of identity questioned in an age that wants to tell us that there is only gender and its constructions, no essence that is being discovered. Writers like J. K. Rowling say that the idea of woman is being erased and cancelled.

What can one think in this age about women? What is permitted? And what is true? How can anyone ever know? Is it still possible to even speak about women without becoming a tyrant to be felled?

Across each of the camps they fight. And where are we, that look upon each camp with suspicion? That are never included because of the colour of our skins?

This is a piece of artwork which I was never able to post. Sometimes I don’t. Sometimes I don’t want to share what is my heart and my mind with others. So many secrets. So many knowledges. So many pictures, words, stories.

In the recent Hindi drama, they say that there is not much difference between love and revolution. Love is my revolution. The one that I can achieve by myself. The revolution that I dream about, the other one, that cannot be achieved by one man alone. But where are the men for that revolution? The world has stopped giving birth to men.

When I was young, I watched a movie ‘Indian’. A retired freedom fighter from India in his seventies punishes the corrupt world of the modern day nation state that took away his beloved daughter from him. He finds his strength again. The strength of freedom. It is one of the best Indian movies ever made. It is Tamil, not Hindi. I watched it in the Hindi dub. The music is a classic. Over and over again, I think of that movie and the freedom that India has still not attained because of the corruptions of the modern day Indian state and the roles that it calls for, the nature of its belonging. The marring and damning history of the modern day Western state that casts its nefarious shadow upon the world.

But there are those that come still from the age of freedom when we fought against colonialism, racism and oppression. My grandfather has not died in me yet. The spirit of Punjab has not died in me yet. And still, in Westernised India, there is hope. Because they are releasing ‘Indian 2’. The nostalgia craze has swept India. Let us hope that they do not destroy the meaning of this movie. Let us hope that the Indian is still the Indian. Inquilaab zindabaad! Long Live the Revolution! Inquilaab sada zindabaad! May the Revolution Live Forever! Jai Maa Kaali! Long live the Dark Mother!

My friend told me today that I have had the journey of the hero in this journey of love. I have transformed myself. But the transformation is not complete, I have told her. Because there is still the heroine missing from my life. Maybe it is never going to be Helen. Maybe there will never be a heroine. Do you know what my friend said? As long as you long, you have the heroine. As long as you have the desire, you have the heroine. The longing is there.

And Helen? How can Helen not know that I love her?

The Gardens; Neasden Temple; The Splendour of India

03.05.2024

the one that climbed your face

to put the fire in your eye

was a conjurer

the one that charted the nape of your neck

to cascade the water

through your hair

was an explorer of the night

the one who shaped the golden earth

to make the skin so lovely

that one

that one was

the goddess

You can either believe in the power of love and keep on writing. You can keep on hoping that Helen will change her mind. Or you can believe in the power of hate and separation. And expect that Helen will never be with you. You can either hope that Helen is free. Or you can despair that she is with the white men that she is always hanging around and that she has become someone else’s. You can either believe that Helen reads this diary, these letters to her. Because she has some feelings for you. Or you can believe that she does not read, does not love you, never thinks about you. What choice would you make? We live in the dream. The dream of love.

Slowly, slowly, the drops of water wear away the stone over time. Her heart is stone. Her eyes are stone. The water is each word wrenched from the heart of The Tiger. Each drop falls on the stone. It seems impossible. This love is impossible. This woman is impossible. Even fate itself is against The Tiger. He never sees Helen. He never talks to her. All there is is this meeting place. The meeting place of minds and hearts. And even here, Helen is silent. Even here, Helen is invisible. What The Tiger has is his memory of her.

And the memory today? While I was eating, I was remembering how Helen told me that the Indian diet is unhealthy and the diet from her country is healthy. Those are the kinds of conversations I was having with Helen. Arguments.

But do you know something about The Tiger? The Tiger fucking loves fighting. He loves the fight. The dance with the words. A warrior loves a warrior.

When you don’t want to live, there is a reason to live. When you don’t want to go on, there is a reason to go on. You have sworn revenge. For injustice. For dishonour. For love. Revenge gives you a meaning and purpose to your life. Revenge gives you the power to go on. You are filled with anger. And for your revenge, the revenge which will change the world and everyone in it, you live the life of The Tiger. The Tiger has come alive for one reason. The eyes of The Tiger have opened for one reason. Once upon a time, The Tiger was not the Tiger. Now, there is only one purpose. The revenge of success. The revenge of transformation.

We live in the world of our enemies. They hold the seats of power. They are demons with human faces. They rule the world with hate. They lie. They live shameful lives. They oppress the people. They seduce with the love of power. They have dishonoured our mother. Yet they live lives of privilege, ease and happiness. This is not a hallucination or a story. This is the world that we are living in. The world that must be transformed so that it becomes habitable again. Sometimes I look at this world and I know why the human race has survived like it has: because of the selfishness and oppression of its people, those that take and do not give but pretend to have a benign face despite it all, despite the absolute corruption of their power. The seduction and propagation of selfish power.

I gave the tour I wrote at the Gardens. I have had to change so many things to take account of the seasonality and the planting and the new places that have opened up. Without passion, you cannot perform. Without passion, you cannot revise and relearn. All I do these days is to learn things, interpret things and share those interpretations with other people. That is what it means to have a voice and to contribute, to change this world of ignorance and apathy through education. I live the life I was expected to live – without any of the rewards.

I went to Neasden Temple today and it was the first time I ever went there. It is the most beautiful building that I have ever been inside. I am fortunate to see, fortunate to live, fortunate to be there. Fortunate that I was able to go there from volunteering in the Gardens because it is nearby. I bathed the idol in water twice, once as myself, once as my mother. My mother is Hindu. This is her religion. Inside the inner space, the carvings were astonishing. The hand of a human had created this field of worship. The hand of a human had sculpted the dream to make this place.

And then, radiant with beauty and the gift of worship, I went into the exhibition space to do with Hinduism and India. It was a celebration of our culture and our achievements, which are not given credit in the Eurocentric and hostile West. Mathematical discoveries, medicinal discoveries, astronomical discoveries, insights into the human condition, the way to live, the way to celebrate and protect life on this planet. The way of living and thinking that has been there since the dawn of time and will be there until the dying moments of the human race on earth. The longest continuous way of being in the world. I have been raised in the religions of power to be powerful. That is why I am The Tiger. It is not just a name. It is who I am. The product of thousands of years of continuing, immortal civilisation. The splendour of India.

The Suicide Tree

02.05.2024

When I was a teenager, my grandfather told me a story about a tree in the church graveyard in the corner near his house which we used to walk past every time we went to see him and my grandmother. My grandfather used to live in London, so it was always an adventure to go and see him, because we lived in Essex. London was different, exciting.

But the problem was, that we didn’t know what London was really like. In Essex, we were protected in the Indian family. We lived secure lives. We had stability. We were raised the old-fashioned way. We expected adults to be together forever. Marriage was for life. What other people did hadn’t penetrated our lives.

We were just sitting there on the sofa. My grandfather began the story. It was a very short story. One morning, just a regular morning, they found an Indian man hanging from that tree we walked past every day. Dead.

He had married a woman from India and had called her over to England. But then, shortly after the marriage, she started hanging around white people. And then, she left her husband for a white boyfriend.

Everyone said it was a suicide. That the husband had despaired of life. But, my grandfather said, how could anyone be sure? What if it had been a murder?

A story that was forgotten at the time. A mysterious affair seen through the eyes of a teenager. Shocking because it was the first realisation that an arranged marriage was not for life for everyone, like we had been taught that it was. Shocking to think that someone could break their wedding vows like that.

When I think back on that tale from the life which my grandfather told me – a tale I keep on thinking about over and over again nowadays – I remember what happened to him. My grandfather’s father deserted his family for another woman. Which meant that my grandfather was raised in absolute poverty. He later went blind in life because of malnutrition from the formative years of his childhood.

This was the man that had told me the story about the suicide tree.

Holiday Day 3: Four Museums, Five Exhibitions

28.04.2024

Me standing next to the poster of Mother India, the film I got my name from. In real life, her co-actor Sunil Dutt saved the actress playing Mother India from a fire which broke out. Her name is Nargis, a flower – why women are flowers for me. They fell in love when she looked after her hero Sunil (her son on-screen) in the hospital.

The purple flower is broken – purple for Athens, my identity at school was Athenian in Athens house… 💜

The Valentine’s card made thinking about Helen this year.

Museums and a charity bookshop aside from copious amounts of art history study, where I managed to make myself well into the assignment (still 3 hours of wake time left since it is only 20.38 as I am writing). Here’s the itinerary:

1.British Museum – Greece, India
2.The Wellcome Collection – Jason and the Adventure of 254, The Cult of Beauty
3.The British Library – Beyond the Bassline: 500 Years of Black British Music
4.The National Portrait Gallery – The Time is Always Now: Artists Reframe the Black Figure, Francesca Woodman and Julia Margaret Cameron: Portraits to Dream In

I will write about each of the exhibitions in due time – all except for The Cult of Beauty.

What can I say about the cult of beauty? In reality, Helen is the most beautiful woman in the world to me because she was kind to me. It was her behaviour that I was attracted to. She is beautiful. There is no question. But I did not notice her when I first met her. The effect was over time based on her behaviour. It is the same with all the women that I am interested in right now. Over time. That is the essence of beauty in real life – beauty through relationship.

As I was looking at Greek art and Indian art, I was struck by a curious thought. We all know that the ancient Greeks got a new confidence when they defeated the might of the Persians. It shaped the racism that was to come afterwards. I have been shaped similarly. I have been shaped by the Indian Independence movement when we beat the British. Because the quest for me is still freedom. I don’t believe that India has got it yet. Because the nation is not freedom. The Western law is not freedom. Anarchy is freedom. The village is freedom. Self rule in its unmitigated form. Dharma, not law. Freedom is still to be achieved. Freedom is still to be fought for. The war is not over yet. The scholar is still in the war. I am still being shaped by the past victory to consolidate our position. It is not suspicion – it is fact. The prize is still for the taking. Remain The Tiger. Don’t break. Tiger is still alive. Tiger has been alive for six thousand years and will live until the end of time. For freedom from oppression.

I am shaping to the new layout in my room. A new place to think and to dream and to create. I stare at the bookshelf for inspiration. I stare at it with love. It is what I want to become. So many books to read. So many things to learn. Hope springs eternal. Ambition is undefeated. The dream of education.

I saw the Rosetta stone today. I saw it with Helen. We read it together. I still have my memories if nothing else.

I compared the ‘Crouching Venus’ with the ‘Crouching lions’ in the Nereid monument. The woman is defensive, the lion is aggressive. The woman retreats from the gaze, she is hiding. The lion is fierce display. The woman is shame, the lion attack. The woman looks as though she is not moving at all, the lion looks like it is just about to flash like lightning. Which one, though, is the more powerful? That shame will douse any flame from any man. When you see them shrink from you as though you were a wild beast, all you feel inside is dismay. The lion, you would fight with. With the woman, you have to turn away.

I saw Michelangelo’s Pieta in the shop and I really wanted it. I am looking for a sculpture in my room now there is space so that I can be like Freud who collected these curios. My statues of the Hindu gods and goddesses are in the corner we have made for my mother to worship. I won’t get a female nude because of my mother, of course. The naked Kali she tolerates because that is the religion. I will have to find something else that I am interested in.

I got a finial bangle of some Egyptian cats to wear. One of my friends told me to get a bracelet a while back instead of getting my ears pierced. It was expensive, but what do I work for anyway if I am never going to spend the money? I have wanted one like it since I was a kid but never got round to it. I love finial bangles and torques. I was going to get the lion one first – my middle name is ‘Sim’ which means ‘Tiger’ from the Sanskrit word ‘Simha’ like the god ‘Nar-Simha’ (Man-Tiger). The word is the same for ‘Tiger’ and ‘Lion’. However, I got the cat, because the Tiger is a cat too. And I liked the design better and it was more visible than the lion design. The woman serving me helped me to put it on and take it off, although she actually looked like she didn’t want to serve me. That’s kind of what you expect from a lot of these women. The one in the charity bookshop was exactly the same. Why do you work in retail and customer service if you don’t actually want to even talk to someone when they are engaged in a one minute talk with you?

Books I’m interested in that I saw:

How to be a Renaissance woman – the role of women in chemistry and botany as they made make up for themselves
Plant Life – laser cuts and flaps in this children’s book

I was watching the dancing hands of an Indian woman as she was talking to her husband or boyfriend on the tube as I got back. It was an energetic dance. I had my headphones in and wouldn’t have understood her language anyway. All you can do is observe as an outsider and speculate on what they are talking about and why her body was moving like that. Next to me, a very beautiful Indian woman was sitting there. She was the most beautiful woman I saw all day. She looked at me as I was getting off, then walked past me as I stood on the escalator. As I passed through the barriers, I saw her walking towards the end of the tunnel. Believe it or not, I started walking fast – it was a race. I wanted to see if I could get past her. Before she finished going up the stairs, amazingly, I managed to get past her. I won the race. How could she beat me? I have the body of an athlete. I can walk as fast as some people can run. Why did I race her? I’m an athlete. I’m competitive. I don’t like anyone beating me. Helen has won. She beat me. But that is something I can’t do anything about. Because in the arena of choice, the women are the queens in this country.

Astounded by how silent London is when you are a lone bachelor around the town. The only people that talk to you are other men – quite a few in the tube today and then one in the shops on the way home as I was carrying flowers. No wonder so many men are desperate for female company. Luckily, I work in the industry that I work in which is full of beautiful women to talk to.

Why don’t I just buy myself a wife from India and the children will come? People have asked me. People tell me to do it all the time. Why not? Because I have principles. Because I am a lover, not a buyer. I am not going to buy someone with my British passport and my superior wealth to them. Despite this culture calling us Indian men misogynistic pigs (when they are misogynistic themselves), I believe in choice. Not arranged marriage with its casteism and its inequality. And because I want someone that I can talk to things about – someone who has had access to art and culture and the frame of reference that I know about and have studied for them to talk to them. I would rather go it alone than compromise on love and my principles. But what do I get for having principles: the treatment I get from women here in this country. You can’t win, whatever you do. Not if you have been raised like an Indian man in a white culture.

14.04.2024 – Diary Entry – Conversations in the Day

What does the Tiger think about? These are the conversations I had with friends at work and outside of work today:

Beauty and Escape

I saw her this week. And I was in one of the most beautiful places in the world to me this week. When you see someone beautiful and you are in a place of beauty, you lose all your cares. And imagine speaking to this beautiful woman, looking at her, listening to her, loving her… For a moment, she is with you. You walk on the clouds and the sun shines in your heart.

My view on transsexuals.

India has had transsexuals in the village for thousands of years. I have met them. We have no problem with them. There is no issue. They live their own lives. What is the Western preoccupation with the issue of transsexuals? And why can’t they just let them do what they want? My philosophy in life is very simple. Live and let live. I don’t have a problem with someone changing their sex. It is their life. How is it going to affect me personally? They only way it would affect me personally is for my love life. And for that reason, I would never date a transsexual woman. Because I want a biological baby of my own and they would not be able to give me that. So that is my position on things. Acceptance, but with a limit. Because for the way I have been raised, a woman is a mother. Western feminism might not like that. So what? I am Indian. We worship the mother goddess. We worship Mother India, who is modelled on the mother goddess. The women we love, we see them as the mother goddess. That is our ideal of femininity.

Is the only way the Western way?

Even in the little villages in other countries, the little children wear western clothes, watch western films and listen to western music. So, you might think that there is only one way – the Western way. But India is not dead in us yet. I watch Indian films. I listen to Indian music. My grandparents and my mother managed to preserve our culture for me by keeping me to the old, old ways. The six thousand years of history are in me to pass on. There is a torch that is passed from generation to generation. Some cannot carry it – they are too weak. They corrupt themselves with egotism, selfishness and greed which is what many in this generation of people celebrate in the West, with its inhumanity and injustice. The Western way is not the only way. There is still the way of the warrior, the way of the Tiger.

Is there a Judas in everyone?

Betrayal is the worst thing. And yet, most people will betray you. Usually for money. So, yes, there is a Judas in everyone.

Tempted by the devil.

Wouldn’t it just be easier to be selfish, a douche bag, to only think of yourself and just grasp at whatever you can get without any morality? Of course it would be easier. But it wouldn’t be right. How would you be able to live with yourself after that?

But when you try to be nice, people think you are weak. They try to walk all over you. The women won’t love you if you are nice. You finish last. In ‘The Way I Met Your Mother’ which I watched, Barney is the guy that lives like a selfish, douche bag, just mindlessly fornicating. His back story is that he used to be nice and worked in charities to help people. But then, he realised what you get when you do that – the ones you love break your heart. They can’t love you. Do you know who is Barney? Me. I used to volunteer all the time and try to help everyone around me. But you know what? Even though I know I don’t get anything out of it – and the women won’t love you – I am not going to change into the bad Barney. Because even though I have done some wrong things in life, at least I can still look in the mirror and not see someone that I despise. I can’t give up on my social commitments. It is who I am. And I am not going to let anyone take that away from me. Even if it means no love.

Choice does make you strong.

Because I am in a career which I have chosen, because I have committed myself to the fight in education for us, the community of the oppressed, because I have committed to save the world from itself, I am strong. I feel powerful. You know where this energy comes from? From my belief. In myself and the power of us as a people. Because I have chosen my own fate. Despite everyone else and what they wanted me to do. I am not the sheep that follows. I am the Tiger that has the followers.

Suffering amongst my friends and family.

Everyone is suffering. Everyone is hurting. So much needless pain. But without pain, there is no understanding and there is no empathy and altruism. I suffer. Other suffer. We suffer together. You look at the people in every day life. Each of them suffer so much. But they still put on their brave faces and walk out in the public, hiding their hurt. The young people with their mental health problems. The older ones suffering from depression and the suffering of the heart.

The religions of the Tiger.

We worship the mother goddess. We worship the Sikh gurus and Guru Ravidas who fought against oppression and for the rights of us, the lower castes. The mother goddess rides on the tiger. So when I call myself Tiger because that is my name of power, it is not arrogance. It is because our mother rides on top of it. She is the powerful one. Her name is power. I am the vehicle. She is the source. In the Sikh religion, the men call ourselves Singh or ‘Tiger’. To fight for justice. I come from the religions of power, the religions of the Tiger. The Tiger is our ideal. And I am The Tiger. Whether or not you literally believe in the religions is irrelevant – you are judged by whether you act according to the religion and Dharma – the ways of our laws which are fitted for each individual.

Why is no one happy in this culture?

When it is supposed to be an ‘advanced civilisation’ which satisfies the pursuit of happiness? Because most people don’t have a sense of self fulfilment from a mission and a destiny. There is only one unhappiness in my life. The lack of love. And that is because I am an Indian in a white society. However much anyone denies it.

Arguing independence with a young woman.

Apparently, cleaning and cooking are what freedom means to this young woman. Ridiculous. What freedom actually means is having the space for thought and doing literally whatever you want whenever you feel like it. And that is what I have. I am a god and have the freedom of a god, just like my name ‘Suneel’ says.

The Protestant Revolution in thought and individualism.

Being able to read and interpret the words is the foundation of everything. Despite everything else, that is the one revolution in the world of the individualistic west that I support. It might be an exercise in individualism, but the only real individuals are The Tiger. Everyone else is faking it. Because only I have truly independent and original thought. It has been acknowledged by everyone that has read my academic work and is in the profession. I am the one that is wildly original. Because I am The Tiger.

Surgery Required

11.04.2024

So, it turns out I’m going to have to have surgery on my leg. The doctor was a Subcontinental woman. Did she break the news to me in a nice way? No. I had about two minutes with her. And during that time, all she did was tell me off and make it out to be my fault. When it wasn’t my fault in any way at all. That’s what they are like. I can say it because I am Subcontinental too. You don’t get any sympathy. You get blame. I’m used to it. Even in the Indian movies, all the girlfriends of the heroes do is to criticise them and tell them off.

But at least two things didn’t happen: I didn’t die and they didn’t have to cut the leg off. I knew everything was okay. It is just the pain. And I will just have to put up with that. Why? Because life is pain. The only thing that can happen now is complications with the surgery and side effects, but there is a good chance that nothing bad will happen and it should all be okay.

Do you know how I developed this problem in my leg? I loved a non-Indian woman. And she didn’t love me back. Then my grandparents died and I got sick. And then I put on a lot of weight. Which ruined my leg. So that’s where the problem in the leg developed. I am still suffering from the past. And those people that tell you to forget about the past? What other problem have me and the Indian men in this country, and the Dalits or the Untouchables in India had except for the fact that no one will love us? The people that don’t love us are telling us how to solve our problems. And to forget the past and the present where they don’t love us. When our problem is that they are not giving us love. What a fucking joke.

Do you know what guilt is? When my grandmother was dying from cancer, I was living with her. She couldn’t sleep in the nights without a man in the house. One time, I came back home and I was talking to her before I went up to study in my bedroom. I talked to her for about half an hour. Because I felt sorry for her and thought she was lonely. She told my mother afterwards that when I was talking to her, she was going through the most torturous pain. But she wouldn’t tell me. She just kept on nodding at what I was saying. She didn’t want to hurt my feelings. I think about that over and over again. That is what guilt is. I couldn’t even see that she was in pain.

My Instagram feed is full of dating advice. It is always the same: don’t be a nice guy. Be a complete douche bag to the woman that you care about, be aloof from her, treat her like she doesn’t even matter. What a lovely world of love this Western society has created for its women. And some of these people have the gall to call me a misogynist when that is their culture and their ‘love’. Even the women themselves are saying they want the man to be like that. What a culture. If you love women, you are a sexist pig. And if you treat them like you hate them or don’t care about them at all, then you are accepted and you aren’t sexist.

I finally told someone in that context that there is someone there that I don’t like. I don’t like to talk about people behind their backs. I wouldn’t want someone doing it to me. It was a special situation of honesty. I don’t just not like them. That is me being euphemistic. And it is very unusual for me not to like someone in this industry, so that is saying a lot.

I asked my friend from another country if she would cook something for me for that context for lunch. So she said yes and she invited me to do dinner together and she would make me something then too.

I was thinking about Shiva and his stillness – the short note I wrote yesterday. He lies down below Kali when she is in her rage and in her destructive dance. He lies below the Ganga (Ganges) when she flows down from heaven. Do you know that Shiva is represented by the phallus? The lingam. That is his body. That is what is withstanding the flood of woman. How he is able to withstand the flood of woman’s power and to become united with it, to channel it and control it, to merge with it into creation, is by being the phallus below woman, completely still. It is a sexual thing. The woman is dancing on Shiva who is the phallus, or flooding down on him: that is the essence of the act of union.

I have never told anyone something peculiar about the name my mother gave me. Some of you who have been reading know how I got my name. Sunil Dutt saved the life of Mother India in the film of the same name. He rescued her from fire. While he was recovering in the hospital, she came to take care of him and then they fell in love. He played her son in the movie. The son married the mother. That’s why I call myself Oedipus and my life has been that of Oedipus. However, there is a little peculiarity in this love story. Because in the film, the mother kills the son because he rebels against tradition and culture and morality by trying to abduct the woman he loves from her wedding ceremony. My mother didn’t just name me for the one that marries Mother India. She named me for the one that rebels against Mother India too. There is a paradox in the name that she gave me. The paradox is that she named me after the rebel, he who rebels against everything and everyone. I am the middle child. I have been named after rebellion. I live for rebellion. The rebellion of love. You can’t escape from your name and the fate that has been planned and dreamt of for you. Try to escape your fate. See what happens to you. We rebel in the name of love for love. We are the warriors of love. Inquilaab zindabaad! Inquilaab sada zindabaad! Long live the Revolution! May the Revolution live forever!

How much longer can you love someone who is not in your life for more than five minutes in a week? That doesn’t talk to you? Who has rejected you twice? Who you have only talked to for about one hour in total in about six months? But are these the wrong questions? Isn’t the question, can you stop loving someone who you love? Despite everything?

Shiva’s Ability to Withstand the Flood of Woman’s Power

10.04.2024

Woman in the male imagination is the awesome and sublime power of nature. Uncontrollable, devastating.

The other name for Durga the Mother Goddess, the one with the tiger, is Shakti or ‘power’. Kali, her other face, is unchecked rage and blood lust. The beserker. Total carnage.

Amongst the gods, there is only one that can control and shape the flood of woman’s power. Over and over again in the myths. It is Shiva, the lord of the beasts (pasupati).

In one myth, Shiva is the only one powerful enough to funnel the flow of the river Ganga (Ganges) from heaven as she falls to earth. Devastatingly she floods down with raw energy. Serenely, he takes her force into his untamed head of hair to bring her down to earth.

In another myth, Kali’s dance of blood lust is only brought to an end when Shiva lays down before her so she dances upon him. It is the cosmic dance – the creation of the universe. Shiva’s control that channels the raw power of woman, the flood of her rage and power.

In both myths, there is one striking aspect of Shiva. That he is completely inert and still, passive. This is his power. Where woman floods with elemental force, Shiva sits down quietly to let the flood enter his hair, or he lays down before it. It is with stillness that the flood of woman’s power is channelled to create life – whether through the water or through the creation of all things. In response to total emotion, like Kali’s, in response to being moved, like in emotion, like the movement of the flood of the Ganga, Shiva is meek and unemotional. Unmoving. Unmoved.

Have you ever argued with the woman you love in the heat of her passion? You cannot fight them. Because you cannot hurt them when they are already hurt. It is wrong. It goes against the responsibilities of being a man. It is dishonourable. So you have to become inert. In response to fury, you reply without emotion. In response to provocation, you are still. In the face of accusation, you are silent. Shiva embodies the only way to act: with absolute restraint and self-control. The one you love is attacking you with everything she has got. She wants to kill you. The only one that can hurt you is hurting you. And you? You have to put your head upon the sword that she offers, and offer her your naked throat. You have to become Shiva. It is the only way forward. Psychologically, even if you are losing the argument, but your opponent is getting more and more heated, by becoming cooler and cooler, you win. That is what it means to be Shiva. Absolute stillness. Stillness in war, as personified by Yudhishthira in the Mahabharata, the leader of the hero brothers (Yudhishthira means ‘still in war’).

You can read more of my poetry and my other books including fiction and prose on my personal blog which features the Open Access MEHMI PRESS:

https://lnkd.in/eP2auKX3

Day Off – How Do You Capture a Distinctive Portrait?

09.04.2024

The Cosmic Dance – Kali dances on Shiva as this is the only way to contain her bloodlust and destruction.

What can I say? I love Kali. So every woman I love becomes Kali. And I become Shiva. It is fate. It is the cosmic dance.

……

Easy. Simple. Unimaginative. There is a preconception amongst some of the non photographers that a portrait is nothing much. Not a real exhibition of skill. Especially the selfie.

Yet the way that you pose and the way that you present yourself to convey your identity is a skill. Whether you want to look appealing or hostile, whatever emotional bond you want to create with the viewer through the craft.

Today, I took it to the basic level. I held the camera at arm’s length in front of me and pushed the button. The magic of technology.

How did I convey my identity?

First off, I posed in front of the bookshelf which is my library. So that indicates that I am a reader.

Then, it was time for the framing. I chose to cut off bits of my face. To add the mystery. It is a technique taken from Japanese art too – I volunteer at a Japanese art gallery. Japanese art itself is influenced by India and Buddhism. So there is that happening there.

Lighting is positioned to catch in the eyes which have been described as my best feature by others, not just women. These eyes are the eyes of my grandfather. It is the family connection. Eyes themselves are described as the ‘windows into the soul’.

The face is filled with light to alleviate the appearance of wrinkles – I am standing next to the window. Light creates a flattering portrait.

In one portrait, I look into the camera. Intimacy. A direct and confrontational challenge. We stare into each other’s eyes. The aggression. The other two images, I look away. The creation of distance. The air of introspection. The books in the background add to that idea of the introvert.

No props. The face fills the frame. There is no distraction. The complete focus is on me. Therefore, the images become intense and illustrate my intensity.

All considered decisions. Yet, the portrait itself is regarded not only as a vulgar, but also narcissistic form. Even though we always present ourselves in our best light to other people. At least in public.

……

Called my friend in the morning who is recovering from the operation for support. She is still suffering. When I call her, she doesn’t want me to go. I said bye about four times. That is what love is.

Contacted my mentor who is recovering from cancer to hope his operation goes well.

Leg is fucked. But the doctor got in touch so I called back because I missed the call as I was talking to my friend. No appointment. But they will call again tomorrow to try and sort one out. How fucked is the leg? Painful. Swollen. But I still ran on it to get to the bus and I caught it. So how fucked is it actually? If you believe in your body and you have mental strength, you are invincible. The Tiger is capable of smiling whatever happens. And helping others despite anything. I have been raised to be a hero and a warrior. There is a saying in India: Men don’t feel pain.

Writing about the Japanese art for the Japanese art gallery in the morning. Then, wrote an article about Indian film songs for the new volunteering space. Then I wrote some new tour excerpts for some other plants for the Gardens. So all the volunteering stuff is done. About four hours invested into art, education and culture and to save the world by inspiring people about plants, climate change and the environment.

Bought some books on history and the V & A and its history at the charity bookshops in the local area. That was one hour gone – that’s why I had to run for the bus.

Bought some lilies for myself and my mother – I walked down. Another forty five minutes. As I walked, I admired the gardens in the local area. It is the time of growth.

I took the photographs, made the artwork. But what would the day be without a poem about Helen? Here it is. For her. Even if she is not reading.

she is always late

she hangs around the people

that are always late

time is not something she really thinks about

or they think about

because they are young

and their dismissal of time

is a part of them

and I who watch the clock always

feeling time’s hot fangs and breath behind me

I who waited patiently forever for her

for nothing

I for whom time is slowly running out

to do the things that must be done

I who does not have any time with her

I wonder at her dismissal of time

Integration – The Way of the Tiger

06.04.2024

There is a reason my name is Suneel. I am named after Sunil Dutt. My Indian mother gave me this name. Because Sunil Dutt saved the life of the actress who played Mother India in the film. My mother named me shortly after the actress’s death.

You’re probably wondering what that has got to do with the idea of integration in this country. Everything.

I was discussing the issue of integration with my friend. She is an immigrant. So her position was that she should integrate into the culture of the host country. Because that is her choice. She came here. So that’s what she feels like she needs to do.

I am not an immigrant. I have been raised by immigrants here. And my mother – who raised me the most – chose to preserve our culture. Indian culture. Punjabi culture. So my situation is different. I didn’t have the choice to come here or to be born here. And? I have chosen Indian culture. Punjabi culture.

Just because everyone else is doing something, I am not going to follow like a sheep.

I am not going to change for force or for love. The power of India is within me. Six thousand years of power, the way of the tiger.

And I have seen the love that we get from this country for looking and being different as Indian men. They don’t listen to us. They don’t respect us. They don’t love us. We are the most under represented group in this country in literature, the arts, music, film, everything. If they are never going to accept us, why would I change myself for them?

They dishonour my mother every day in this country. They call India a nation of rapists. They call us misogynistic pigs. They are right wing racist and xenophobic extremists but that’s how they label India. They call us backward for supporting our culture and our ways. The women here won’t love us. And they want me to integrate?

The story my mother told me about Sunil Dutt wasn’t just about his heroism in saving Mother India. It was a story about honour too. My mother has given me the name to protect our honour, the honour of Mother India, which this society dishonours every day.

So that is why I don’t try to integrate in this country. I do things the Indian way. The way that I was raised. I think like an Indian person. I act like an Indian person. I listen to Indian songs and watch Indian films. If anyone tries to attack India, I attack them. I will fight for our way of life until the bitter end. They came into our country and forced us to follow them. I am in their country now and I will see how anyone forces me to do anything in my own home and in my life. Because here, there is one thing that is supreme. And that is choice. And my choice is India.