Suneel’s Notes on the King Charles Portrait by Jonathan Yeo

(PhD in Visual Culture and the Law, Currently 2^nd Year Art History Degree with the Open University)

Jai Maa Kaali! Inquilaab Zindabaad! Inquilaab Sada Zindabaad!

(Hail the Dark Mother! Long Live the Revolution! May the Revolution Live Forever!)

(All info gained and discussed here given in the hyperlink below)

Charles suggested the butterfly symbol as identification for the future.

– The butterfly stands for ‘metamorphosis’. When we are seeing the portrait of a King in the outdated, undemocratic monarchy and the reiteration of the same conservative politics, ethics and being. A first born in a patriarchal culture.

– The butterfly is supposed to be oneness with nature – ostensibly to support Charles’s nature work. Is it the red monarch butterfly? If so, the suggestion is that monarchy is natural and unquestionable. When it is a social construct and decidedly unnatural to have someone rule over you. The shared redness of the colours – the royal colour – suggests Charles’s oneness with royalty in nature.

– The butterfly’s transformation is perhaps also implicitly being linked to the transformation of society as we become one with nature. He is being idealised as a hero for the movement for environmentalism and sustainability – but do we have massive amounts of money like he has so that we can be heroes like him? No. It is a false celebration.

– The butterfly is ideology.

– And yet, the interview, Charles says the butterfly is how he will be identified by ‘children’ – the imagined viewer is the child that is gullible enough to swallow this ideology.

– The blackness in the butterfly – which stands out as a deliberate contrast to the overall scheme of red – is ironic given the accusations of racism made against the old guard in the royal family with the issue of Megan and Harry – as though he is being reconciled with blackness. Or it has chosen him and his shoulder for a perch to rest on. This seems like ideology again: a soothing fiction for the public.

– Red is warm. Suggestion that Charles is warm-hearted.

– Hands on the sword – suggestion of Charles as masculine strength and power – pretty ridiculous. Even the portrait artist has to hide it at the bottom of the portrait outside of the focus because it is preposterous to think of him like that. The sword image diminishes the touch of gentleness and warmth from the butterfly landing on his shoulder as though he is a Disney Princess at one with nature. It shows the reality of the ideology – that Charles represents the coercive force of Conservatism, Patriarchy and its rule of (unjust) ‘legitimate’ force in our society.

https://www.independent.co.uk/life-style/royal-family/news/king-charles-portrait-butterfly-symbol-royal-art-b2545308.html

Exhibition: The Time is Always Now – Artists Reframe the Black Figure (Some Notes)

National Portrait Gallery

02.05.2024

https://www.npg.org.uk/whatson/exhibitions/2024/the-time-is-always-now

Summary: Artwork from the African Diaspora. The website says:

”As well as surveying the presence of the Black figure in Western art history, we examine its absence – and the story of representation told through these works, as well as the social, psychological and cultural contexts in which they were produced”.

Notes:

– The title ‘The Time is Always Now’ comes from James Baldwin in the 1960s writing about the civil rights struggle.

My comment: So the aim of the exhibition is to combat racism and this is what it should be judged on – if it is giving dignity, equality and positivity to the black figure. Is it?

Overall impressions:

Goes through quite a lot of the current thinking about racism like ‘double consciousness’ when non-white people have to look at themselves through a white perspective as well as their own non-white perspective, etc. Educational for people that haven’t experienced racism and don’t really understand what it is like.

The art is presented as educational and as being completely resistant to racism. Can art be unambiguous and not contradictory like that? How easy is it to escape racism and to be free in terms of artistic vision and in your expression?

And how beautiful are the artworks? Were they captivating? Art does not have to be apolitical to be beautiful. But I wonder whether there were any pieces of great beauty in this exhibition.

Some Works Which Caught My Attention

As Sounds Turn to Noise (bronze sculpture)

Thomas J Price

https://www.galleriesnow.net/artwork/as-sounds-turn-to-noise

The artist says this is a composited fictional character ‘which really looks at the value systems contained within portraiture and monuments’. He was supposed to be giving power and grandeur to ‘fictional everyday people’, the under-represented black people excluded from art history and classical sculpture.

My Comment: Why closed eyes? The artist says she is embracing ‘the inner world that she’s manifesting there and trying to bring clarity perhaps, to all this noise around us’.

I wrote a book about the valuation of symbolic blindness in imperialistic, racist and misogynistic Victorian Britain. When blindness stood for power. Are the eyes closed because of this association from the past? Devaluation of sight in this system of valuation as in Western culture – when for Indians it is the queen of the senses and the motor of revolution.

The statue stands right at the front of an exhibition where we are looking – a guide to how we are supposed to see the rest of the exhibition?

Composited photographs from Victorian Britain by Galton were used to isolate supposed ‘racial features’ – how distanced is this sculpture from that process of racism and essentialisation when we are talking about race and the black figure reframed?

Ivan (painting)

Jennifer Packer

https://www.studiomuseum.org/artworks/ivan

My favourite painting in the whole exhibition. This is an intimate portrait of one of the artist’s friends and family. It is about a ‘human relationship’, not a person.

The face is caught in a mood of introspection. A thinking man. A reflection on thought and on the minds that give us our personality, that create our relationships with others. The restricted palette of pink is beautiful: textured, cloudlike, dreamy. Details make up the piece, there are no flat colours, many many colours. Complication. Nuance in technique. The enigmatic meaning of the feet – one clothed foot, one bare. The play between the spectacle of the body and the covering of the clothes, the ‘outer’ and the ‘inner’. A drip of paint falls from the black figure as it escapes into liquid from form. There is an air of insubstantiality, dissolution, as though everything is melting away.

The thoughts of this thinking man are what are highlighted by the artist in the personal relationship. So is she connected to him because he thinks? And what is the emotion here about that connection and his thinking? It is a mysterious image, a puzzle. Maybe her thoughts about him are unresolved, oscillating between definite form and the cloudiness that informs the image. An ambigious, contradictory and paradoxical image.

Seeing through Time

Titus Kaphar

Seeing Through Time, 2018

A painting I found very beautiful too.

This is supposed to ‘dismantle’ an exclusionary Western visual representation and to subvert it. The artist is replacing the white female figures from neoclassical style paintings with black women. The artist deconstructs the western representation and removes it from the picture through cutting, etc. Then, he inserts the black figure – inclusion.

In this painting, the black serving figure for the white woman then serves the black woman instead, so the racial power disappears from the image.

The white figure disappears and becomes a black face. However, there is a sophisticated point to this image: the white figure is still providing the frame for the black face. Blackness is still being seen through the frame of whiteness. If you look carefully, one of the eyes is cut off by the outlines of the white figure that has been cut out. The black eye is limited by the white outlines that have been given to us from history. There is a tired self-awareness in this image.

The black face inside the white frame looks sad. Her own body is missing – the black body. Even her hair – with all of its power and symbolism – is not being presented. We are seeing the fragment of a black woman’s body – she still hasn’t achieved full representation. The image conveys the sadness of racism and the artist’s rendition of the black figure. It is still a work in progress, still unattained. The Time is Always Now…

Day Off – How Do You Capture a Distinctive Portrait?

09.04.2024

The Cosmic Dance – Kali dances on Shiva as this is the only way to contain her bloodlust and destruction.

What can I say? I love Kali. So every woman I love becomes Kali. And I become Shiva. It is fate. It is the cosmic dance.

……

Easy. Simple. Unimaginative. There is a preconception amongst some of the non photographers that a portrait is nothing much. Not a real exhibition of skill. Especially the selfie.

Yet the way that you pose and the way that you present yourself to convey your identity is a skill. Whether you want to look appealing or hostile, whatever emotional bond you want to create with the viewer through the craft.

Today, I took it to the basic level. I held the camera at arm’s length in front of me and pushed the button. The magic of technology.

How did I convey my identity?

First off, I posed in front of the bookshelf which is my library. So that indicates that I am a reader.

Then, it was time for the framing. I chose to cut off bits of my face. To add the mystery. It is a technique taken from Japanese art too – I volunteer at a Japanese art gallery. Japanese art itself is influenced by India and Buddhism. So there is that happening there.

Lighting is positioned to catch in the eyes which have been described as my best feature by others, not just women. These eyes are the eyes of my grandfather. It is the family connection. Eyes themselves are described as the ‘windows into the soul’.

The face is filled with light to alleviate the appearance of wrinkles – I am standing next to the window. Light creates a flattering portrait.

In one portrait, I look into the camera. Intimacy. A direct and confrontational challenge. We stare into each other’s eyes. The aggression. The other two images, I look away. The creation of distance. The air of introspection. The books in the background add to that idea of the introvert.

No props. The face fills the frame. There is no distraction. The complete focus is on me. Therefore, the images become intense and illustrate my intensity.

All considered decisions. Yet, the portrait itself is regarded not only as a vulgar, but also narcissistic form. Even though we always present ourselves in our best light to other people. At least in public.

……

Called my friend in the morning who is recovering from the operation for support. She is still suffering. When I call her, she doesn’t want me to go. I said bye about four times. That is what love is.

Contacted my mentor who is recovering from cancer to hope his operation goes well.

Leg is fucked. But the doctor got in touch so I called back because I missed the call as I was talking to my friend. No appointment. But they will call again tomorrow to try and sort one out. How fucked is the leg? Painful. Swollen. But I still ran on it to get to the bus and I caught it. So how fucked is it actually? If you believe in your body and you have mental strength, you are invincible. The Tiger is capable of smiling whatever happens. And helping others despite anything. I have been raised to be a hero and a warrior. There is a saying in India: Men don’t feel pain.

Writing about the Japanese art for the Japanese art gallery in the morning. Then, wrote an article about Indian film songs for the new volunteering space. Then I wrote some new tour excerpts for some other plants for the Gardens. So all the volunteering stuff is done. About four hours invested into art, education and culture and to save the world by inspiring people about plants, climate change and the environment.

Bought some books on history and the V & A and its history at the charity bookshops in the local area. That was one hour gone – that’s why I had to run for the bus.

Bought some lilies for myself and my mother – I walked down. Another forty five minutes. As I walked, I admired the gardens in the local area. It is the time of growth.

I took the photographs, made the artwork. But what would the day be without a poem about Helen? Here it is. For her. Even if she is not reading.

she is always late

she hangs around the people

that are always late

time is not something she really thinks about

or they think about

because they are young

and their dismissal of time

is a part of them

and I who watch the clock always

feeling time’s hot fangs and breath behind me

I who waited patiently forever for her

for nothing

I for whom time is slowly running out

to do the things that must be done

I who does not have any time with her

I wonder at her dismissal of time

High Pain Threshold

08.04.2024

beauty hides her face in the flowers

beauty hides her voice in the flowers

her lips are the scent of the blooms

her eye is lost in the petals

the sun is upon her skin

the sun is her lover

she whispers the pollen

she lures the birds

fragrant is the way

decked with the concealing flowers

soft is the poison

that steals upon the senses

beauty hides her face in the flowers

the sun loves the beauty in the flowers

The Olympics is coming. I am the fan of athletics and gymnastics. But now, there is no time to watch. I am the lover of the body. I am the lover of skill. I am the lover of the beautiful people. And the lover is separated from his beauties, the body and the skill. Life mirrors life, hurt mirrors hurt, separation mirrors separation. What does one expect? Less than nothing.

Going back to exploring digital painting styles. In art, without experimentation, there is nothing. Everything is an experiment. Never stick to one style.

People hate my digital art. So what? Fuck you. I do what I want when I want. When I don’t want to do it any more, I stop doing it. Just because someone uses traditional media doesn’t make them a better artist. Just because someone draws like a photograph, it doesn’t make them a better artist. Art is about capturing your ideas and your feelings. It is not surprising that no one can relate to the art of The Tiger. Because who else is The Tiger here? I am alone in this world. I am like the Western god. In a society that believes in individuality, I am the only individual. In a society that believes in personality, I am the personality. In a society that believes in culture, I am the cultured one. In the society of supposed men, I am the lone man.

Massive pains in the leg. In Hindu philosophy, life is suffering. You are condemned to the world. The doctor’s won’t pick up the phone. So I sent an email in the morning. They didn’t reply to it. Even the people that are paid to care for you don’t care for you. Such is life.

Fortunately, I have an incredibly high pain threshold. I even ran for the bus this morning feeling the shooting pains all over my leg. And I caught it too.

I will wait a couple of days for the doctor’s, but I don’t actually expect anything from anyone nowadays. The scene that comes to mind is Collateral when Tom Cruise the villain says that no one will even notice you are dead on the metro in a Western country for a few days.

A young blonde woman on the tube that was standing next to me on the way home leaned over me and kept on touching me the whole way home. She very nearly rested her head on my shoulder. Even the other women sitting down were looking at her to see what she was up to (a young brunette one kept on staring at me and then looking away when I looked at her at the same time – typical behaviour for these young women). If I had done that to a woman, I would have been accused of sexually harassing her.

Everyone on my tours today asked me what my name was so they could write their comments on the feedback forms and praise me. I had nineteen people in total over the quick tours in the hour. Some of them actually requested the feedback forms so that they could give me a compliment. One offered me a tip. Even when The Tiger is in pain, he is still The Tiger. I always perform. It’s what I’m known for. If there is one person you can depend upon in this world, it is me. I commit absolutely.

People think that I am wrong. They always think it. If someone rejects you in love, they are telling you that you are not a man. They have devalued you. They have judged you as inferior to them. And people are telling me that I am wrong for not wanting to remain friends with them? It is me that is right. But do you know something? I know that whoever they go with is worse than me. I am the best. I am what I would want if I was a woman. It doesn’t matter if even the ones that don’t love you don’t think it. The mind, the body, the learning, the heart. The patience, the love. The achievement of understanding. The freedom and the power. The spirit of The Tiger. India is everyone’s daddy. We are the oldest. We are the most knowledgeable. I am India. It is the name I call myself.

Two quotes from Indian movies in my translation, to share with the non-Indians and to spread the culture:

If freedom is a crime

Then the punishment is accepted

Now what will happen

Will be the will of God

(The Thugs of Hindoostan)

By heart we are soldiers

By mind we are the devil

We are India

(‘The older master is excellent, but the little master is outstanding’)

Some Instagram Artists I follow and adore, with brief notes

12.02.2024

Instagram is one of the biggest free art galleries out there. I follow thousands of artists and have been doing so for about seven years now. The contemporary art scene is amazing, inspiring, beautiful. I wanted to share some of the artists in 2D I have been following and a few personal reasons why. These are just a few brief notes before bed time. I am the fan of so many people, and the student (as a digital artist myself). You can find each of the artists on Instagram with the names given.

Waldemar_kazak

Beautiful rendition of the figure. Beautiful colours. To me, the character design seems so full of vitality, so whole. An eye for beauty.

Grantdraws

Thoughtful cartoons, a lot of them about reading. I am a bibliophile so it appeals to me. The drawings have a charming naivety even though the writing can be quite subtle. Always interesting to read.

Itsnotaboutwork

Quirky illustrations of animals usually. Highly enjoyable and diverting.

Leilaleiz

Dark style, beautiful women. Intense themes. Not to be seen at work as scenes can be quite revealing.

Paulwearingillustrator

An amazing, clean and fresh graphic art style that is reminiscent of twentieth century posters. The shapes are always super interesting.

Thedhimangupta

Bright, colourful women’s faces done in a comic book style. Very intense, simplified and super interesting and effective.

Borispelcerart

Chaotic and highly detailed drawings and paintings, often with elements from the human figure. Amazing colours.

Loisvb

Beautiful, charming and cute style and vivid colouring. Mostly female characters that are immensely lovable.

Johnholcroftillustration

Interesting concepts beautifully rendered in this clean and crisp illustration style.

Karljamesmountford

This art is literally incredible: exciting, crowded, enticing. A lot of book covers which is my kind of thing, being as I am so into books.

Danygartman

Everything this guy does is incredible – the style is amazing. Simplicity and detail are married and there is a rich tapestry and blend of colours.

Olivierbonhommeillustration

Crystal clear, vibrant and exciting images. A gift for character illustration.

Megbuddart

Charming, colourful and cute. A good variety of different subjects.

Kunstkrake

Dark themes in bright colours. A lot of focus on the body and the nude. Reminds me of a modern day Hieronymus Bosch

Victongai

Enticing images touched by the influence of Asian art. Painstaking and perfectionist, beautifully crafted images with a lot of life and character.

Justingerardillustration

Brilliant character design in a fantasy/traditional art style. Inventive, beautiful, a crowded canvas and a visual feast.

Zerodeluxe

Black and white vector illustrations from a graphic design background. Effective, inventive, beautiful to look at, inspiring.

Flaroh

Bright, colourful. A lot of themes from mythology. Super interesting and inspiring.

Aj_nye

Vector design from a master. In one word: awesome. Stimulates the imagination immensely.

PAUL COCKSEDGE – The Creator of ‘Coalescence’ in the Painted Hall, Old Royal Naval College (Notes)

08.01.2023

QUOTATIONS FROM WEB SOURCES ARE GIVEN IN ITALICS – ALL QUOTES ARE REFERENCED AND USED AS ‘FAIR USE’ FOR NON-COMMERCIAL RESEARCH PURPOSES FOR THIS BLOG TO SPREAD EDUCATION AND KNOWLEDGE.

Biography

He says that he has Greek and Welsh blood and that he wanted to be a pilot when he was a child, his favourite TV show is Scooby Doo and that his favourite author was Roald Dahl (who was an inventor himself – he invented a medical device and things like his own desk – Charlie and the Chocolate factory is about invention – Suneel). The artist’s favourite film is ‘The Dark Knight’. His favourite sandwich filling is Cheese and pickle.

https://www.gq-magazine.co.uk/culture/article/20-questions-with-paul-cocksedge

Born in 1978, raised in North London, Paul Cocksedge lives and works in Hackney, East London.

His works encompass public art, sculpture and architectural installation. The artist has an interest in science, with ‘a forensic investigation into the limitations of processes, materials, and the human body’ and attention given to ‘our relationship to the Earth

The artist believes that he ‘came to art on his own terms’ which brings a ‘freshness in perspective’.

https://www.paulcocksedgestudio.com/bio

What interests me as a designer is to be open to ideas coming from any direction. I’m also always sort of interested in like, the invisible things such as electricity, and gravity and magnetism, these types of energies.

https://www.moooi.com/uk/story/meet-paul-cocksedge

The artist was once evicted from his Hackney studio which he occupied for 12 years (which was once a Victorian stable) to make way for a new property development. He created a work called ‘Eviction’ by excavating material from the floor to make furniture:

Cocksedge hopes the work will cause people to reflect on the uncertainty affecting creative centres around the world, caused by rising property prices and socio-political upheavals.

https://www.dezeen.com/2017/03/22/paul-cocksedge-mines-floor-hackney-studio-furniture-excavation-evicted-milan-design-week-2017/

How Paul Cocksedge’s Art has been Described

For Paul Cocksedge, each body of work is a vehicle for narrative, drawing inspiration from and abstracting the physical process of making. Cocksedge’s practice can be defined by a search for hidden values and properties in order to transform the ordinary into the extraordinary.

https://www.friedmanbenda.com/artists/paul-cocksedge/

Selected Notable Works Besides ‘Coalescence’ with Suneel’s Analysis (see links for photographs)

If you look at his works, they are each remarkable. The artist has frozen metal furniture together to join it. He has’ completed a spiral staircase featuring a garden, a library and a tea bar’ https://www.dezeen.com/tag/paul-cocksedge . He has created a table solely from a single sheet of folded metal paper. These are a few of the artworks which I found interesting and related to the themes of ‘Coalescence’

‘Please be Seated’

A rippling wave rises up to form arches for people to pass beneath, and curves under to create spaces to sit, lie and relax in Please Be Seated.

“This piece was an instinctive response to the space and the rhythm of people through it. It fills a public square and engages passersby, without obstructing the space.” – Paul Cocksedge

https://www.paulcocksedgestudio.com/please-be-seated

Suneel’s Comment – Innovation in seating and the space that it encloses, so that the area can be used for multiple purposes of leisure interaction. The design is effective because it uses shade as a resource – you can sit or lie underneath the seating. This shows the artist’s attention to changing conditions, the influence of outside influences on space and art, the play with previous structures and forms to build new dimensions in the art. The rippling wave looks like an opening flower from above – it is beautiful to behold.

‘Bourrasque Dior’

Inspired by nature and the morphology of paper, Bourrasque – which means “flurry”, or “gust” – is a free-flowing sculpture that harnesses the magic of light and electricity.

The piece conceived to mimic pages scattered by a gust of wind is illuminated and bathes the surrounding environment with light.

“Bourrasque is the representation of the power of new technology, creating a magical fleeting moment. This is an effortless yet detailed gesture, capturing electricity floating in the air. The iconic Dior boutique was the perfect environment to install Bourrasque as a permanent piece.” – Paul Cocksedge.

https://www.paulcocksedgestudio.com/bourrasque-dior

Suneel’s Comment: As with seating in ‘Please be Seated’ and the coal in ‘Coalescence’, Cocksedge takes an old form – paper – and makes it into something new with new technology. The technology casts the material in a new light, gives it a new purchase on the imagination. As with ‘Coalescence’, the piece is about the ‘power of new technology’: the new forms that it can create, the new experiences and vision (the new sculpting of the wind). Similarly, ‘Coalescence’ has to be seen as a meditation on the superseding of fossil fuel by newer, cleaner, renewable fuels and the power and the experiences that they will generate to shape the world.

‘Living Watercolour Pavilion’

Thousands of translucent glass discs are overlaid to create a three-dimensional chromatic experience that changes according to shifting sun and shade.

Each of the colours chosen for the Expo 2020 Dubai UK Pavilion comes from the flag of an exhibiting nation, expressing unity, partnership and possibility.

A sculptural centrepiece envelops visitors in colour and light, giving the sense of an ‘impossible’ structure.

“We were drawn to the idea of looking outwards for inspiration. This informed the entire architecture of the pavilion, which we designed as a sculptural watercolour that plays with the natural environment to connect with people.” – Paul Cocksedge.

https://www.paulcocksedgestudio.com/living-watercolour-pavilion

Suneel’s Comment: This beautiful and multi-coloured design which represents the unity of the nations of the world in the aegis of art explores the themes of togetherness and union that are evident in ‘Coalescence’ from its very title (which means a joining together to make a greater whole). As with ‘Coalescence’, the artist has taken single units and combined them to form something greater and impactful as art.

‘Poised’

Poised embodies the elegance and amenability of paper. Half a ton in weight, the steel table appears improbable upon investigation.

Intensive calculations into gravity, mass, and equilibrium mean the work is perfectly weighted and stable in spite of appearing ready to topple.

https://www.paulcocksedgestudio.com/poised

Suneel’s Comment: An investigation of fragility and resilience, just like the message of ‘Coalescence’ which is that the world is fragile at the moment but we can come together to make a new world of light which is resilient against any threats – even though it seems ‘impossible’ at the moment. A message of hope and the defeat of adversity – the enduring message of ‘Coalescence’. A tribute to the power of design and the artist’s imagination – the basic building block of design is the blank piece of paper, the strongest force in the human universe to create the world anew.